That Weird Feeling…

Any writers that are reading this will know what I am talking about…

Do you ever get that feeling about anything - writing, art, work, ANYTHING - that you know you want to be doing something new and interesting, something that you aren’t doing right now…but you have no idea what that is? Or even worse, the most vague of vague ideas, that you can’t even look right at just in case turning your full attention on it obliterates it?

That’s where I’m at right now. And I kind of want to write horror of some kind. But I don’t know precisely how, or what. I just want to take a swift break from the beginning of Silence War while I wait for my proofreaders to report back.

Oh, and on that note:

REVIEWS: 1 - POSITIVE!

The State Of Play #5

Minute Silence

Obviously, finished. I’ve changed my wait-for-proofreaders policy, I’m now going through and making some minor edits myself - cleaning up messy sentences, that sort of thing. Nothing that will effect how the story goes. So those that are reading it for me - don’t worry! It’s the same!

Silence War

Just beginning the second chapter. I think again this book is going to take a somewhat classical story arc to begin with; the world going about its own business in a normal fashion. Having not written many sequel books, though, I’m wondering if the first chapter and a bit is too expositiony, not expositiony enough, or just right. I need a volunteer to check for that I think…

Either way, the plot is coming together for Silence War. Some scenes I wanted to see are probably going to wait until the last book, if only because there’s just no way I can make them happen with the plot I have in mind. And I wonder if the number of new characters I’m going to include is right, but that’s minor insecurity. An expose on those characters may follow, sometime soon.

Picking Through The Rubble

What precisely does one do after a book - a book one is hoping to get published - is written?

Well, right now, I’m writing the sequel. I’ve left the book in the hands of my proofreaders (I love you all!) and await their critique; I’ve been through it myself to correct some of the obvious mistakes but a major overhaul will have to wait for outside opinion.

Just a minor update to let people know what is going on.

Checkered Flag

In April 2001, while staying for a couple of days in a motel in Lake Elsinore CA, I bought a comic book.

I still have it somewhere. It was issue #13 of the 24-issue Rising Stars comic by J Michael Straczynski, an epic that should be read by both those new to comics and those who are embittered veterans. It is easily the best cure for the Civil War blues, that’s for sure - and there isn’t a few decades of continuity to sort through (and ignore by choice in places) if one wants to keep up with the story.

While reading this comic book - with a case of Wild Cherry Pepsi, and listening to Ten by Pearl Jam, which I had bought from the second hand record store that shared a parking lot with the motel I was staying in - my mind was filled with ideas. Heroes grasped at my subconscious, demanding attention, glorifying in the deeds I imagined for them.

They have taken many different shapes since then. It was only in 2004 did I concieve of a setting named Minute Silence, with a unifying genesis story for all involved; but still some of the characters that I originally envisaged stuck with me, in particular, two that lodged so deep in my mind that I couldn’t shake them from any other incarnation of Minute Silence.

There have been four of them. The first looked very much like the Golden Age, in which the Enhanced flew around like true heroes, battling the evils of the world and living the life of public figures, adored by the populace. The second was darker, grimmer, and evolved from my reading Watchmen and V For Vendetta; it carried a hint of X-Men to it, a world in which the Enhanced were viewed with mistrust, and were suppressed by those in power. It carried more of my political leanings, and the message wasn’t one of hope and justice, but one of standing against hopelessness and injustice. The Contingency era, as I called it.

The third incarnation was a mental exercise undertaken over New Year 06/07, which resulted in what I named the Rebirth - it was to start at the very beginning, when the virus was first unleashed and the Enhanced didn’t know what they were, how they were made or what their purpose was. It included many new characters and embraced new concepts, such as the destiny of the individual, how one deals with power, and the harshness of a world that fears what it doesn’t understand.

So it was in January 2008 that I began work on the fourth incarnation of Minute Silence, which has no alternative name or series monicker: it is what I wanted Minute Silence to be. A dramatic re-imagining of the way in which the Enhanced came about, a re-tooling of the two core characters that have sat shotgun in my head for seven years, and the true beginning of what has turned into an alternate history all of its own ran rampant in my head; Juggler and Calibre (whose first name was Bullet) found their place in the first days of the Enhanced, a group now far less a widespread Marvel-a-like, and now more of a unit of their own.

The book as I imagined it should be changed a great deal between brain and page. Many scenes were introduced that I previously didn’t concieve of; a few were cut or altered radically. Certain aspects of the characters went unexplored, while other aspects were brought closer to the fore.

And now, after some hundred thousand words, bordering on 180 pages and six and a half month’s hard slog, it is finally finished.

It needs a brush-up, of course. Various little tweaks and checks - I don’t entirely trust spell-checkers, because it’s too easy for “cases he” to become “case she”. But the main thing is, the story I wanted to tell when I opened that issue of Rising Stars has finally been written, and I am proud of both it and myself.

And if anyone tells me I am ripping of Heroes…call the police.

So…CLOSE…

Almost…there! ALMOST! ALMOST!!!

Shameless Whoring

I’ve opened a Minute Silence Cafepress store, the link is over in the sidebar. I’m not gonna demand you all go buy something - as nice as that would be - but…it’s there just in case. See, it’s a useful thing in that it generates interest. People look, people see, people are interested. Things happen, hopefully.

Also…I’m putting out a call for proofreaders. If anyone is interested, let me know.

The State Of Play #4

Minute Silence

Progress. Significant progress. The plot is tying together very neatly, now; in-book, we are at lunchtime, Saturday. The main body of the book finishes on Sunday night. There’s precious little more to write. I am sure I can make my End Of August deadline. People - harrass me about this. MAKE ME DO IT.

Or at least, anyone that actually reads this…

In the meantime: HERE’S SOME KITTENS!

Emotional Content

The scene I just wrote is touching, achingly so. But knowing what I know - it’s also absolutely heartbreaking.

The thing is, I worry about these things. I worry if the scene will have the correct emotional response from the reader, which is very important, because I want this scene to feel a certain way. It’s important to plot progression…and a few other things as well.

So to screen it, I sent it to Merinda Brayfield, a good friend of mine who is also a writer; I also sent her a copy of this song from the latest Offspring album, stating that I wanted the scene to feel like the song does.

Apparently? Success.

If anyone else wants to help me out with this, let me know.

Over The Hill?

While my birthday is approaching, this post isn’t about that. (Yes, I’m old. Hardy har har.)

There’s the point in the novel when you get to a certain level…a peak, if you will…and then, things start moving. Things snap into place, they glide into position with ease where before it was a struggle to push them together. Plot points that were previously just nebulous ideas drifting in the ether are now railroaded together, and just rely on the speed of the author’s typing to keep on rolling. It’s almost like Sisyphus finally gets the boulder to the top of the hill and just pushes it over.

Yesterday I reached that point with Minute Silence.

This makes the John very happy indeed.

Yes. THIS happy.

Musical Chairs

Wherein the author, my good self, demonstrates various songs that act as the theme tunes to various characters within the Minute Silence world and how they relate to them, hoping to impart an understanding as to how my mind works when making a character! Or something.

Note: Some of the YouTube videos are there purely so you can hear the songs. The videos aren’t at all important for the most part. Notable is the stupid Naruto video for The Capitol, sadly, the only one I could find.

MARK “JUGGLER” JUGG: Alter Bridge - Rise Today

I keep coming back to this song. Its themes are so fitting for both Minute Silence as a whole and Mark specifically. The twofold meaning of the chorus - the idea of rising up from what we are, and of changing the world for the better - frame the journey that Mark makes from the beginning; and of course, he can make things Rise with his telekinesis, if we want to get smart. ;)

MAX KOWALSKI: MxPx - The Capitol

They say Man’s Best Friend is a dog. Not so. Man’s Best Friend is Max Kowalski, assuming that man is Juggler. In many ways Max is the driving force behind Mark’s reformation, and constantly urges Mark forward in his endeavours while trying to keep him on the straight and narrow. Literally, he’s been with Mark all along, and guided him where most others would have fallen by the wayside, which is the theme of the song.

SCARLET “SHARD” GIBSON: Alter Bridge - Burn It Down

An interesting choice for her that reflects part of her attitude. Having seen the belly of the beast that is Steel Mountain, Scarlet fills the wee hours between her dull job and the “Street Work” she does with Jeff with hedonistic pursuits that never quite seem to alleviate the hollowness at her core. She refuses to gush about it to other people - but deep down, she knows that she’s fighting a battle against demons from her past, and she isn’t entirely sure she’s winning. Every night she burns down whatever she’s built up, only to start building again in the morning.

JEFF “INK” TRENYX: Thrice - Of Dust And Nations

While Scarlet’s view of the world is a jaded one, Jeff is more neutral about it, only knowing that if he is to make a difference, he can’t be part of the machine. Society as it stands wouldn’t accept him and it won’t learn the lessons he wants to teach it, so he remains in the shadows and does his job. It’s part of who he is, and part of the darkness that his powers allow him to command - a feeling of separation from everyone and everything else, like the world itself is just a shadow.

CALVIN “CALIBER” BURTON: Story Of The Year - Welcome To Our New War

This song is fast, and hard. Like Cal. It is also reflective of his attitude to control, government, power, and the state of play in terms of the economy. Also, his new status has simply led him into just another war - a new war, this time, against an unknown set of players wearing uniforms he doesn’t recognise. The promise of the war being won by the little man, too, reflects Cal’s paradoxical attitude; while cynical to a terrible degree, he also has hope.

LAWRENCE HERSH: Disturbed - This Moment

Hersh is a bully, pure and simple. He sets out to hurt, belittle and dominate all those around him; especially after the events of the first book…which This Moment is all about. One part of the chorus is a gleeful reference to what will happen to him after the book: “In this moment as you run away, you will only separate me from what I believe…”

More will follow!

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